Knifemaking: the things that are ours and the Notre L’affaire

“But then I have always been somewhat of a square peg in a round hole.”

Cressida Cowell- How to Speak Dragonese

 

When I was five years old I had my first lesson in finding out that the world might not be built for me.  I was not in kindergarten yet because I had told my mother that numbers and letters had looked too hard for me.  Perhaps I really wasn’t ready, or perhaps I was just stubborn, but this would leave me a year older than all my classmates through my entire academic career.  So at five years old I was sitting with all the other five year old preschool kids who, for whatever reason, weren’t quite ready for kindergarten either.  It was around Thanksgiving time and we were making hand turkeys out of construction paper.  You are probably familiar with the process, where you trace your hand and your fingers become the tail feathers and your thumb becomes the head and then you cut the entire thing out and add all the plumage.   I was having an incredibly difficult time with it.  I couldn’t get my scissors to work and I had no idea why.

As it turns out I was, and still am, left-handed.  They had no left-handed scissors, and the poor ladies couldn’t explain why I was the only one who cut with my left hand.  The silver lining was that when I looked at the wall of hand turkeys for the next two weeks before we took them home I knew exactly which one was mine- the sort of mangled looking, Mattisse-inspired one with it’s shredded, soft edges and pastel color themes.  It might not have quite fit in, but that turkey belonged to me.

I think a major source of anxiety today comes from a pressure to fit in.  We are pack animals after all, social creatures, and there is a large degree of comfort and safety that comes with fitting in.  For whatever reason some of us just don’t fit.  Maybe our personal values don’t align with the metrics of what society calls success.  Maybe the things in the world that move us have been wrought and tempered in such a way that makes the mainstream feel incredibly dull and boring.  Maybe we were brought up in a fashion that causes us to question the rules and the people who make them.  Or perhaps our idiosyncrasies and the way we see the world simply makes others in the pack feel uncomfortable. 

Because the reality is that life is uncomfortable and existence is messy, and no amount of corporate team building exercises or ‘life is beautiful’ bumper stickers will change that fact.  The square pegs of the world know this, because things have probably always been uncomfortable.  The beauty of being a square peg that doesn’t fit into the circular opening of life is that you find a way of living that is unique and meaningful to you.  Usually that means crashing through more than a few romantic relationships, getting fired from a few jobs, making a whole lot of mistakes, and generally being a mess for awhile.

When you finally pop out on the other side of all that, you may find that what you’ve become is completely and totally your own, free of mimicry and imitation.   All those things that you’ve become- those belong to you and no one else.

(I taught myself to cut right-handed in elementary school to save myself and my teachers a lot of grief.  I cut better right-handed than I do left-handed.  You have to pick your battles.)

This knife was commissioned for a chef at a local restaurant by his girlfriend.  I love making knives for restaurant people- anyone who winds up in food service is totally a square peg.  In talking to the girlfriend, who works in hospitality, she told me that they were both a little crazy, which is part of what makes everything so interesting.  ‘Notre L’affaire’ roughly means ‘our thing’ in the sense of something intimate and personal, like a slightly rough-around-the-edges turkey made of construction paper hanging on a pre-school bulletin board.  You should always recognize and honor the things that are yours.

 

An 8″ chef in the German Style:

Hi-carbon American 1095 steel:

Profiled and drilled:

Into the forge:

Making sure everything is straight:

Grinding the bevels:

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Hand sanding:

Satin finish:

An acid etch to help with corrosion resistance:

For the bolster we’ll make a material out of bow tie pasta:

After it gets smashed up and set in fiberglass resin…

…you get something like this:

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Texas Mesquite:

Glued:

The Notre L’affaire:

Knifemaking: The Ace, revisited

“When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.”

Patrick Rothfuss- The Name of the Wind

(you can read about the original crafting of this knife here)

As I approach early middle-age I find myself surrounded by the children of my close friends.  They are marvelous little beings, unfettered by the troubles of the world, and always see possibilities and wonder around every corner.  In watching many of them grow up I feel like I’m let in on a beautiful little secret as they walk, talk, and become more cognizant of everything going on around them.  Boldly pursuing their curiosities, there is a pronounced presence in their endeavors and the way they move through their little worlds.

This unfettered presence of being is a subtle reminder that as an adult I am always second-guessing myself.  “I wish I had done that better,” I will think to myself, or “I wish I had been kinder.”  Rumination at the end of a bad day can trouble my sleep, and the thought of facing the day the next morning can be daunting.  I will often judge harshly my perceived tumbling through the world and wonder if I am doing any of this right.  There are moments when I find it hard to get excited about anything.  Many of the adults I confide in are often thinking the same thing.  These are merely symptoms of being grown in an extremely complicated world, and as many therapists have assured me over the years, are completely normal feelings to have.

Much of this melts away when I spend time with the children of people I’m close to.  They don’t think about any of those things.  As someone crashing through adulthood, I find that to be deeply reassuring.  I am also reminded that I am in fact an adult- no, you can’t have cookies for dinner, you can’t use your Ipad in the bathtub, and yes I do have to leave (please don’t be sad, I’ll be back).  I’m not sure how such big feelings can be contained in such tiny people.

About four years ago I made a blunted knife for the oldest child of some good friends of mine.  They have a house on some property in the country about 45 minutes out of the city.  They grow mushrooms and berries and have animals and forests.  I know the place pretty well- I helped them move out there.

There are now four children at their home.  They are farm kids in the summer.  I saw all of them the other week when I was doing a side job delivering some water containers to his dad, who uses them to run his homestead.  While he was sorting out another visitor, I went in to say hello to the kids.  They were all confused, except for the oldest, and asked me who I was and why I was in their house.

I told them who I was and that I was there to help their dad.  I was then barraged with questions and chatter- the oldest shows me their puppy, the second oldest tells me she doesn’t remember me, the third oldest asked me why I was there a second time, the youngest doesn’t talk yet but eyes me suspiciously.  Dad comes in and clears everything up.  I don’t think there are too many visitors during a weekday, and I felt that my presence was a happy little gift.  I’ve found the most sincere thing a kid can do is talk to you.

Before their dad and I unload the truck I brought in the oldest, whom I’ve known since he was three, wants to show me his treasures.  He pulls a box out of his room and starts removing things- some small folding knives, a bit of paracord, and a compass.  He is immensely proud and can’t even contain it.  I’m a bit jealous.  As a large man when I get excited it usually scares people.  So I quietly and secretly took in his excitement with him. Whoever figures out how to concentrate little boy excitement and put it in supplement form will make a mint.

His dad and I went out back to unload the truck and this little boy received instructions to make lunch for his brothers and sisters.  A few minutes he comes out with a peanut butter and jelly sandwich for me.  His dad hands me his blunted knife I made a couple years ago and asked if I could make it into a real knife.   I tell him I sure can.

Because in the end, it’s not just a knife.

This little boy isn’t thinking about the bigger picture but I am.  In seeing his reworked knife, I hope this little boy will learn to see what it is to grow and improve as he figures things out.  I hope that he will learn to look back on where he’s been and feel satisfaction in seeing how far he’s come.  I hope he will see what it means to put beautiful work out into the world and the empowerment contained within speaking his truth.  Most of all I wish him to not fret about the future and to trust in his tireless human spirit.  This is the lesson of the Ace.

This was the knife I made him four years ago.  It is a hardened and tempered butter knife that allowed him to get comfortable with carrying a bladed tool. 

The handle was coming off- we’ll put a new one on.  Off with the old:

The blade is re-profiled so it has a point and will cut:

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Giving him a good polish:

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Satin:

Black Walnut:

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Computer board blank for spacing material.  Though it looks yellow, it will be green when fully polished:

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Drilling the rivet holes:

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The part of the handle that meets the ricasso is shaped and polished before glue-up:

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Glued:

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Profiled:

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Shaped.  From here on out it’s all hand work:

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The Ace, revisited:

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Knifemaking: a restoration

“You didn’t get the quest you wanted, you got the one you could do.”
Lev Grossman, The Magician King

Every so often our shop will get calls to put a new handle on an old knife.  We always make every effort to do as many of these as we can.  

The ability to make something broken work in the way that it once did is a virtue.  This is especially true when the something that was broken is special to someone.  In most instances it’s pretty easy to replace what was broken, but the sentiment becomes lost.  Whenever possible I always try to fix what is broken, especially in the shop.

I treat these repair jobs as an exercise in incorporating as many broken or discarded things as possible into the finished product- it gives something totally unique back to the client.   Our jobs as craftsmen are to give a voice to our materials, allowing them to speak for themselves.  Many times we don’t choose what comes to us but nonetheless it is our job to turn what comes our way into something beautiful.  Making something better than it was before-this is the goal of a skilled craftsman.  For those in the know, these are the things that put the color in our world.

A gentlemen contacted us about re-handling an old boning knife he got in the 1970’s.  It was an old Zwilling knife, made from good Solingen steel, with Zwilling’s proprietary ‘Friodur’ subzero tempering process.  The handle had cracked, as natural materials tend to do over the years.

This one was partial tang, meaning the metal in the handle doesn’t run the complete length of the handle:

First, we remove the old handle and the rivets:

For the handle we’re going to use Black Walnut, which was formerly a baseboard salvaged from an abandoned house in North Carolina:

To extend the tang, we’re going to use a fiberglass computer board spacer which I dug out of a dumpster at one of my workplaces.  Though it looks yellow, it will turn green as it’s polished:

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Drilling the rivet holes.  The black spacing material is a heavy plastic that came from an office mail separator:

This is the top of the handle, closest to the ricasso of the blade, of the belt sander at 40 grit:

Sanded from 60 to 800 grit:

Ready for glue up:

Glued and clamped:

Roughly profiled:

Shaped to the desired shape.  The rest of the work will be done by hand, starting with 80 grit sandpaper and going up to 2000 grit.

Finished, sealed, and oiled:

Always take the opportunity to create something beautiful.

Knifemaking: managing it and the Directeur

“…also he had learned that a person could be happy with having done the best they could under the circumstances. It didn’t always have to be bright and shiny and impressive to the outside observer.” 
― Ellen Airgood, South of Superior

 

When I was twenty-two I took a summer job at the the university I was attending.  The School of the Arts at the university put together a three week summer residential program for high school kids.  For three weeks in July, roughly a hundred and twenty teenagers would come to the university, live in the dorms, eat in the dining hall, and take classes in their respective art disciplines taught by real college professors.  This was a way to give kids a little taste of what art school was like, and hopefully to get them to apply to the university when they graduated.  I did this for eight summers and it was one of the best jobs I ever had.

High school kids who were interested had to submit portfolios and go through an application process.  There were disciplines for sculpture, photography, dance, theatre, fashion design and merchandising, filmmaking, digital animation, and drawing and painting.  Some of the applications were pretty hysterical.

The University hired forty other college students like me to be counselors in the program.  We were there to keep the students safe.  Students were divided up amongst us.  We would stay in the dorms with them, take them to their classes and meals, make sure they were in bed when they were supposed to be, and come up with activities for them to do.  Our presence was designed to keep bad behavior to a minimum.  We had a week of training to go over protocols and procedures.  There were university policies that handled underage alcohol in the dorms, as well as drugs, and what to do when students went missing or fell ill. There were a group of grad students who were our bosses and handled disciplinary issues.  Nearly everyone at the program was between the age of fourteen and seventeen, not legally adults, so these policies and procedures were important.

The kids moved in and for three weeks we were their caretakers.  We took them to class, ate dining hall food with them, and came up with evening activities for them to do as only art school kids can do.  We made themed dances- my personal favorite was “Merry Christmas Taylor Swift: Live from the Galapagos Islands”, and everyone dressed accordingly.  There was “Dress Your Counselor Night”, where one of the more attractive male counselors wound up shirtless and in a dress.  On the weekends we took kids to museums, and to some of the nearby restaurants.  Counselors took some of the kids on morning runs.  One time I bought my kids a bunch of Nerf guns and we went to an unoccupied floor of the dorms and had a giant battle.  Kids were always working on their art and we helped and encouraged them.  I scored the music for a film one of the kids was working on for class.  We kept everyone occupied and mostly out of trouble.  Mostly.

Every year there was pretty predictable behavior.  With a little bit a freedom the kids would start to push boundaries- they were teenagers after all.  Some kids would go vegan during the program and then get sick because all they were eating were french fries and Captain Crunch.  Other kids would dye their hair or cut it all off, and then we would have to explain to a parent why their little Jessica had a purple buzzcut.  The lactose intolerant kid would order a large cheese pizza and fart up the dorm. Some kids were figuring out their sexuality and we delicately did our best to be supportive and help them along their path.

We had a lot of kids with…peculiarities?  One kid with irritable bowel syndrome had to get his mom to overnight him his homeopathic diarrhea medicine from New York because he had left it at home.  There was a Saudi Arabian boy with Aspergers Syndrome who terrified all of the girls because they thought he was yelling at them when he tried to talk to them.  One year we had a kid from the Make-A-Wish foundation come who was on kidney dialysis- his dorm room looked like a medical lab.   Another year there was a girl acting out horribly the whole time and we couldn’t figure out why until we called her mother.  Turns out her father had left the family six months before to live as a woman, and this little girl was pissed about it.  I worked with a team of really awesome people and and no matter the situation or issue, nobody ever had to shoulder anything by themselves.

Every so often there were really awful kids that we had to send home.  We called one kid’s father at midnight on a weekday because he was smoking pot in his room.  That kid was gone by morning.  Another kid decided to throw a frozen water bottle out of his 14th floor dorm window at ten o’clock at night.  It smashed the windshield of a car driving on the street below.  The police came and woke up everyone on three of the floors to find out who did it.  That kid ended up getting sent home and having to pay for the guy’s windshield, but he did avoid a felony charge.

By the end of my tenure at this summer gig I was supervising all of the counselors and everything that went on in the dorms.   I had graduated but it looked good for the program when Alumni were involved.  The money was good and it fit into my schedule.  The only person I reported to was a tenured professor who was the program director, and she trusted everyone to do their jobs.  I was on the hiring team and doing all of the scheduling for the counselors’ shifts.  I ran a lot of the training, wrote policies for the program to help it run better, and wrote itineraries for staff meetings.  I handled disciplinary issues and procedures and when kids fucked up, they dealt with me.  I made changes as I saw fit.  For example, in the earlier years the other counselors and I would all go out and get hammered after we put the kids to bed, and then stumble back to the dorms wasted.  No longer.  Funny how things change when it’s your ass on the line.

I’ve never really considered myself a very good manager or administrator.  I’ve also never been great at following the rules or being a team player, and I’ve always struggled to fit into corporate and traditional workplace scenarios.  In the instance of this job I just tried to make sure everybody was safe and all the institutional ‘t’s and ‘i’s that kept everyone safe were crossed and dotted.  It wasn’t always cheeky and fun.  There were two separate summers where I was going through really awful breakups, and another summer where there was a death in my family.  I would still DJ dance parties and take sick kids to the Urgent Care facility and make sure everyone was ok.  The responsibility and sometimes difficult tasks were worth it.

Because in spite of all the shenanigans, and the calling of parents, and confused teenage sexualities, and homeopathic diarrhea medicine, the vast majority of these kids left our little three week program at our state university really inspired and ready to do kick ass things, and a lot of them have.  That felt really good and was what kept me there all those years.  I grew a lot.  I made lifelong friends.  I met my girlfriend, though I didn’t know it at the time.  I learned what it was to run something and to have people back you up.

I’ve worked for a lot of crummy managers, people who are ready to throw you under the bus and only care about how they look to the company they are supposed to represent.  A real manager is someone who knows how to steer their organization toward its goals while inspiring their people and navigating through all the stupid things that get in the way.  This is the lesson of the Directeur.

The Directeur was a commission for a lady who has been running restaurants and events in Washington DC for the past decade.   It’s probably similar to working at an Art School summer program but I’m sure the stories are much better, as only Washington DC can provide.

A quick design for an 8″ chef’s knife, in the German style:

Profiling the blade:

Hardening the steel…

…and oil quenched.

Grinding the bevels:

Hand Sanding:

The blade is then soaked in acid to etch the steel.  This knife has a Hamon line, meaning the cutting edge is at full hardness while the spine is a touch softer.  This gives the blade durability.  You can start to see the line forming:

For the handle, I started with a computer board blank for spacing material:

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Cut, drilled, and pinned:

It’s important to remember to keep it casual.  Blue jeans layered in fiberglass resin should be a good reminder:

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Black Walnut, milled by a man of the cloth from rural Virginia:

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Piecing it together:

Clamped.  You can see that lovely Hamon on the blade:

All glued up:

Shaped:

Helping the grain to speak:

The Directeur:

….this knife came back to me with a cracked handle, which can happen with natural materials.  I removed the old handle and put a new one on it:

May you manage your circumstances to the best of you abilities.  The outcomes and experiences are absolutely worth it.

Knifemaking: having a quiet day and the Woodsman, Mark Deux

‘In silence there is eloquence. Stop weaving and see how the pattern improves.’

-Rumi

From mid-January to mid-June of this year everything had been a blur.  I was running from job to job, gig to gig, knife to knife, trying to stay on top of everything.  Every time that I felt like I had room to breathe, something else would come up.  Car repairs, state taxes, doctors’ visits, new tools.  It was always something and I was hustling left and right, making sure everything was moving forward and getting taken care of.

Then I had an accident that pretty much stopped everything.

I injured two of my fingers pretty seriously on a table saw.  I was cutting some very thin material when the saw bound up and kicked, and I couldn’t get away fast enough.  The shop is at my partner James’ house and he happened to be home when this happened.  I quickly grabbed a dirty towel and, doing my best not to panic, politely yelled that I needed to go to the ER, right that second.  

On the ride to the ER, which was about twenty minutes away, I took stock of the situation.  James, who teaches shop and technology education, asked me to double check that my fingers were still attached and not on the floor of the shop.  Indeed they were still attached.  I would be told later that I was very lucky to keep my fingers- none of the major tendons or arteries were damaged beyond repair.  

I do my best to practice calm in my life.  Strong reactions happen from time to time, and the best way to deal with them is to feel them, let them pass, and address what caused the strong reaction in the first place.  This is an incredibly challenging thing to do and I don’t always do it well but I’ve gotten better at it over the years.  On the ride to the ER I found impossible to calm down.  I noticed that my thoughts were manic and erratic and I had trouble breathing normally.  I felt a pretty deep sense of guilt and shame, as if I had this coming because I wasn’t slowing down.  A doctor would later tell me that what I had experienced was an acute stress reaction and was normal for what I had experienced, largely in part from the sheer volume of adrenaline and other chemicals that my body had released.  

The ER was a miserable experience.  The ER doctor told me they would need to operate but they would need to transport me to another facility because there was no one covered by my insurance at that particular hospital.  Nobody even looked at my fingers and I sat on a hospital bed and bled on myself for two hours before someone gave me any pain medicine.  The paramedics finally arrived and bandaged my hand- the first time anyone had done anything. They pumped me full of IV fentanyl before loading me onto an ambulance to go to another hospital.  Those guys knew how to get shit done, and in my very stoned state I kept telling them how glad I was that they were there.

We got to the next hospital, and my girlfriend met me there.  In my state of shock I had forgotten my phone at the shop and James had called her.  I was really glad she was there because it would be another four hours before the surgeon showed up.  As it turned out he was not covered by my insurance either.  Somebody had screwed up. 

The worst part about the ER is that you are forced to make life-altering decisions when you are in a state of shock, and/or heavily medicated and not in your best of faculties.  The surgeon gave me the option of going ahead with surgery but understood if I didn’t want to- he was very kind and professional, and pretty pissed that this was the way the system was working.  I opted not to have surgery that night because it would have medically bankrupted me.  I would never have been able to pay that kind of money back.  I would have to find another surgeon on my own.   He cleaned and temporarily stitched me up enough so that I could safely leave, which involved two incredibly painful nerve block shots and a pretty shoddy cast courtesy of the ER nurse- I think it was her first.  By the time we left, my pharmacy had closed and the hospital wouldn’t send me home with any medication.  I had to make it the night without pain pills or antibiotics (I would end up taking 2000mg of Keflex a day for 20 days- I was so filthy when I went in they were afraid I was going to give myself sepsis).  We went home and tried to get some rest, because the next day would be busy.

I think this was what it looked like when the system fails you.  

……

The next morning we got on the phone.  We called my insurance company and they found a place that would take a look at me right away.  Ironically enough their office was located at the first hospital I had gone to the day before.  I met with an orthopedic surgeon and his nurse practitioner.

I found out that orthopedic surgeons do a lot of hip and knee replacements on the elderly, so when a young person comes in with an exciting injury everyone wants to see.  I had no less than six people come and look at me, all very excited. 

The doctor was really excited to work on me- he was an artist and I was his canvas.  He drew me a picture of the procedure he would do and explained the whole thing.  They were going to fuse the middle joint of my index finger which the table saw had blown out, and remove a bit of my thumb.  I got another two painful shots of nerve block while he examined everything and moved some things back into place.  There aren’t a whole lot of words to convey how painful those shots are- I nearly crushed my girlfriend’s hand with my good hand.  My surgery would be two days from then, and they told me to rest.  So that’s what I did.

I have always had trouble finding quiet places and allowing myself to rest.  Now I had no choice.  I called my work and told them what happened and that I wasn’t sure when I would be back in.  I had to cancel some contractor work and push back a lot of client work.  That was what hurt the most.  My girlfriend and I watched a lot of Netflix, something we rarely ever do together.  I don’t watch a whole lot of TV but over the next week I would watch more TV than I had in the past five years.  And honestly it was really nice to check out.  I slept a lot and took pain medication and was generally kind of dopey.  I told my girlfriend that she was beautiful and I loved her, frequently.  I couldn’t bathe myself, or put my contact lenses in, or dress myself.  I just had to surrender to everything and let myself be helped. 

…..

Two days later we went to have surgery done.  I have never had any surgical procedure done before and was really nervous.  They took me in the back and had me put on a hospital gown and fixed up an IV in me.  After a large bump of a sedative they gave me a giant nerve block shot in my shoulder, which made my entire arm go numb.  I was dopey but still semi-conscious when they wheeled me into the OR.  They had music piped in- Bryan Adams was playing.  From what I understand of these things, the anesthesiologist has you count backwards from one hundred till you knock out.  Apparently they didn’t do this with me- I knocked out on my own singing ‘Heaven’ from Canada’s most famous musical export.  I think this was an auspicious sign.

…..

After surgery everything was kind of fuzzy.  We went home and my girlfriend put me in her bed and told me not to get up while she went to pick up my prescriptions.  My entire left arm was completely numb from the nerve block and I remember being really hungry.  Apparently I got up and ate an entire box of her kids’ Pop-Tarts while she was gone and then swore to her that I didn’t.  There were Pop-Tart wrappers all over the place- I don’t remember any of this.  I slept a whole lot and my dead arm, which I was supposed to keep elevated, kept falling and hitting me in the head.  I had a whole pile of pills that I had to take and my girlfriend dutifully kept me on a tight schedule.  The best I could do was tell her that I loved her and tell her how beautiful she was.

The next four days passed like that.  She took off from her high stress-job and looked after me. She helped me bathe, made sure I was taking my medicine, and kept me fed.  I would get really weepy from time to time.  It was all a lot; the trauma from the accident, the bone-deep pain from the surgery, and the bills that would be coming (because even with insurance these procedures are very expensive), and the people I felt I had let down.  Then there was this really wonderful woman taking care of me telling me that it was ok and how well I was doing.  The pain medication peeled away all of the armor I usually wear to function in the world and so from time to time all of this would hit me and I would just sit there and cry.

A few days later we went to clean up my apartment.  I had gotten off the major pain killers to see how my hand was doing so I could get back to my day job.  In situations where there is a caregiver and a care receiver things can turn toxic and codependent— I’ve seen it happen.  The pain pills can be addictive and I didn’t want to be a patient or lean on anyone if I didn’t have to. 

I had a couple of my friends come over to help.  I couldn’t really do a whole lot.  My girlfriend spent two hours cleaning my shower- a knifemaker’s shower can get really dirty.  One of my friends washed all my dishes for me.  James had let me keep my car at his place till I could drive again, and I finally went and picked it up.  And I started going back to work.

……

My two fingers have been in special splints as they heal, so I’ve been doing everything with eight fingers instead of ten.  All the simple things I do that I never think about, like brushing my teeth or packing a backpack or making a sandwich, suddenly require a lot more thought and take twice as long.  It’s really draining and frustrating and a full day of that makes me really tired.    

One thing that continually catches me off guard is the amount of help that is available.  Whenever there is something I can’t do there is always someone right there to help.  Shortly after the surgery I was working a large concert and I had trouble getting a pack of snack crackers open.  I had to grab a union stagehand, an older gentleman with a long white ponytail, and ask him if he could open my crackers for me.  “Well sure brother,” he says.  “Everybody needs a little help now and then.”  Cue waterworks from me.

Getting back into the shop has been scary, and a slow process.  I was in the middle of this knife when I injured myself and I had to keep emailing the client to push back when I would have it finished.  I did all of the woodworking and leatherwork with eight fingers.  It’s been an exercise in leaning into fear and getting back on the horse. 

I tend to have a lot of quiet days of late.  Quiet days allow everything to settle and help one’s focus to reset and help one to cultivate a sense of gratitude.  They also allow for deep processing and healing.  This is also lesson of the Woodsman.  Any good person of the Woods knows how to find quiet and the goodness that comes from within.  The second part of this build has been an exercise in just that.

O1 tool steel, out of the forge:

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Hand sanding:

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Computer board for the spacing material:

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Mesquite from Texas for the handle:

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All profiled:

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Rough shaped on the grinder- from here out it’s all hand work:

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This is at 220 grit:

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Letting a bit of oil set in to help the grain to speak:

The Woodsman, Mark II:

Knifemaking: Chainsaws, Being Gentle of Spirit, and the Lionheart

‘Only the weak are cruel. Gentleness can only be expected from the strong.’

Leo Buscaglia

A couple of years ago I was out in the country with a good friend of mine, giving him a hand in clearing some trees on his property.  There was a ramshackle house on that piece of property that hadn’t been lived in for years.  We were clearing the trees to make a path for the demolition equipment to come in and tear what was left of this house down so a new one could be built.

We hauled logs and trees that had already fallen.  This area had not been visited by anyone in quite some time and was quite overgrown.  We didn’t bother with any of the larger trees but anything under forty feet was fair game.  We were in the middle of the woods and it was just us.  My friend had two Stihl chainsaws and was cutting the trees down.  I was hauling the logs out out of the way and stacking them to be cut into firewood later.

We took a break- there were a lot of trees left to take down.  My friend had two chainsaws, one for each of us, so we decided to divide and conquer.   When we got started again I grabbed a saw and found that I could not get it running.  I yanked the pullcord.  Nothing.  To be safe I topped off the fuel and the chain oil.  I adjusted the choke.  I gave the pullcord another tug.  When it still wouldn’t start I assumed that I wasn’t pulling hard enough.  So I pulled harder.

My friend stopped me and told me to be gentle, otherwise I would rip the cord out.  I kindly let him know that I was an extremely gentle person.

He laughed.  ‘Maybe gentle of spirit,’ he said and gave the cord an easy tug.  The saw started right up.

That man, always with the truth.  I thought I was being gentle….

The truth of the matter, and what became clear that day, is that behind any kind of power is gentleness.  Not everything in this world can be beaten or bullied into submission, though there have been times in my life where I liked to think so.  As with the chainsaw, gentleness sometimes IS the power.  Out in the woods that day, the one who was gentle was the one who was cutting the trees down and that person was not me.

Gentleness is often seen as a sign of being weak.  This is not true, despite what has been demonstrated to us throughout our lives.  While brute and strength and force have their place, without something gentle behind them they serve only to divide and intimidate.  Gentleness serves as a means to connect.  It acts as a vessel for strength, holding it and giving it purpose.  Behind every great leader, parent, speaker, or creator of things there is something gentle.  Without that everything dissolves into fear and chaos.

This is the lesson of the Lionheart.  To find gentle is to find power.  The road to finding those is courage and bravery manifested, which are traits of someone who is Lionhearted.  It’s not an easy road for certain but the best ones never are.

This blade is a 6in filet/boning knife, built from 1/8″ O1 tool steel stock.  It was commissioned by a man who has quite a bit of Lionheart in him, and was the inspiration for the namesake of this knife:

Rough cut:

Filework on the blade choil.  This makes it easier to sharpen and provides a visual aid in creating symmetrical plunge lines:

Profiled:

Initial work on the bevels.  Removing too much steel will cause it to warp in the forge.  Ready for heat treat:

Hardened:

Removing more material after heat treat:

Hand sanding:

Satin finish:

I should have drilled these earlier, but here we are:

Rivet holes in the scales.  The wood is Redheart:

Ready for assembly:

Profiled:

Shaped:

The Lionheart:

Be gentle with that chainsaw….

Knifemaking: the things that get in the way and the Arrow

“The way we do anything is the way we do everything.”

-Martha Beck

……..

“I guess I’ve been carrying many small things.”

-Mina Tindle- “To Carry Many Small Things”

When I was nineteen I started lifting weights.  I didn’t have a particular destination or goal.  The only real goal that was there was to lift as well or better than I had the day before.  I paid attention to form, technique, and consistency.  I got better as time went by.

Ritual was crucial.  I would allow myself to be very quiet.  I had a taken some dance classes in college and would do these really amazing spine-lengthening stretches.  After my workout I would take a shower, sit in the sauna for twenty minutes, and then leave.  I did all of this without speaking to anyone.  It was like going to church: still, prayerful, and introspective.

I never made notes or kept logs.  I made sure my routines and circuits were simple enough to remember day to day and week to week and so on.  I kept up with this for eleven, maybe twelve years.  When I felt good, I went to the gym.  When I felt bad, I went to the gym.

Then about two or three years ago I noticed I was having trouble finding those quiet and still places.  I had trouble getting to the gym and staying present with what I was doing.  Actually I had trouble staying present in nearly all the things I was trying to do.  I wasn’t sure what to do.  I went to the doctor, got blood work done.  I talked to a therapist.  I was healthy.

My girlfriend noticed this, and put me in touch with a lady she had been studying with.  She said I was probably missing a physical practice and since the gym wasn’t in the picture anymore I should at least talk to this lady, who was in the practice of Ashtanga yoga.  I had watched her take a course of study from this woman to help her heal from a hip injury.  She was calmer, glowier, and looked fantastic with a sort of shimmer about her.  Ok, I finally said, I’ll give her a shout.

I made an appointment with this lady and we talked about what it was to practice yoga.  Her name is Leigh.  She told me that in this practice, if practiced diligently, transformation would occur.  She said that I would notice unpleasant things rise to the surface.  Things would fall away, she said, and those would mostly be the things that got in the way: bad habits, patterns of self-sabotage, and bad attitudes- the fun things. Afterwards I told my girlfriend that if I turned into some sort of New Age asshole who extolled the virtues of kale and hashtagged ‘namaste’, I would prefer she shoot me, bury me in the backyard, and tell everyone I left her.

(Quite a few months later I would find myself in front of a salad bar at a hillbilly barbecue buffet in North Carolina, and I would notice that my first thought was ‘where the fuck is the baby kale?’  My second thought had something to do with being shocked that my first thought was about kale…).

I started meeting with Leigh about every month or so and she was right.  Things DID fall away.  I found myself becoming very protective of my sleep and rest.  I started eating better and found myself desiring fruits and vegetables, which is something completely new.   I stopped going out and I didn’t miss it at all.  I leaned into life a little more.

Then I noticed all the small things I had been carrying.  In Ashtanga, I found that almost everything I didn’t like about myself was held out and dangled in front of my face whenever I was on the mat and often culminated in tears.  I wasn’t aware of all the prickly bits I carry around on an almost daily basis: guilt, shame, resentment, rage, and impulsivity.  I’ve always heard from my friends about how relaxing and grounding yoga was for them.  I have not had that experience.  I sobbed uncontrollably during the first week I started.  I wasn’t nearly as patient as I thought I was, and definitely more judgmental than I ever believed.  Sometimes I find I am so present with myself that it hurts.  Unlike the gym, there is no rush of endorphins for me.  I end with everything I start with and honestly, it really sucks sometimes.

This sounds like a ringing endorsement and you’re probably asking yourself “where do I sign up?”

The truth is that this is a practice that helps you to know yourself, all of yourself, and that is usually going to be painful.  The growth and transformation happens when you find the pain isn’t going to kill you (although sometimes you wish it would).  The idea is not to make the uncomfortable things go away- they aren’t going to.  It’s to create a space to be with them and to go about your life in spite of being uncomfortable.

This blade was a commission for Leigh, from her husband.  Both of them are incredibly loving and kind and supportive people.  Leigh herself is an arrow, piercing those things that get in the way and always doing so with love and encouragement.  She has become a very dear friend and making this knife was a pleasure.

I designed this knife for whittling.  She is built for a smaller hand:

Rough cut, from O1 tool steel stock:

Smoothed out:

Centerline scribed:

Rough grinding:

Hardening:

Tempered:

Laying down a hand finish:

Just a bit more:

Spalted Tamarind:

Bookmatched:

Ready for glue:

Glued and clamped:


Shaped to fit the hand:

The Arrow:

This knife comes with a prayer, the Prayer of the Arrow, to help with all the things that get in the way:

May I be kind to myself
May I be gentle toward myself and others,
And may I move through my world with elegance and grace
May I find a calm mind and go about my day with peace and serenity and
May focus manifest within that calm
Help me to let go of guilt and shame, and help me to be with my anxieties, and to
Lean into my fears and not
be intimidated by them or anything else
May I know that I have enough
Help me to see things for what they are, and to
let go of appearances and of what others may think
Help me to know strong boundaries and to act on them
Help me to not think so much or give so much weight to my emotions and desires
Help me to keep moving forward and to have faith in myself and those I care for
Please keep me safe
And let me know that I am loved

Knifemaking: doing the work and the Operator, Mark II

“The sword has to be more than a simple weapon; it has to be an answer to life’s questions.”

Miyamoto Musashi, The Book of Five Rings

(you can read about the crafting of the original Operator here)

I’ve always been drawn to people who do things.  The people who speak through their work and translate knowledge and mastery through their particular skill set without having to say much.  This is a day and age where anyone can broadcast claims of mastery and experience to a large audience and it can be difficult to discern who has done the work to back up these claims and who is just trying to get to the bank.

In today’s vernacular, ‘operator’ commonly refers to military personnel who are at the pointy-end of things.  They are the ones who are taking the orders and quietly (or not so) doing the work out of a sense of duty and service.  ‘Operator’ is a title that gets tossed around and claimed where it doesn’t always belong, very similar to ‘genius’.  The ones who actually fit the bill generally eschew such titles.  This is usually a symptom that you are doing the work.

This blade was a commission for a military serviceman doing Ops work.  I wanted to build him a tool that would serve him in the work he was doing.

There was a summer about ten years ago where I was between semesters of study.  I had decided that I wanted to learn how to fix things.  Many of my friends were working at Blockbusters or car washes but I liked the idea of being able to take care of things myself.  I took a really awful job doing apartment maintenance for three and a half months and did just that.

It was not very satisfying.  The job I took was for a rental company who owned properties in my neighborhood so I could walk to work.  It was a pretty slummish company that rented to a lot of college kids.  I ended up having keys to half the apartments of what was called ‘Hell Block’ of a street close by to me.  The summer was when a lot of leases ended so there were many people moving in and out.  As a result the streets and alleys were full of discarded furniture for most of the summer, a lot of which was set ablaze by some of the rowdier tenants.  Sometimes my days started with cleaning up the ashes of incinerated love seats.

Other days started with hauling four-burner stoves up three flights of a fire escape.  Most of the time was spent flipping apartments from where someone had moved out so that someone else could move in.  There was a lot of painting.  Flat antique white for the walls and ceilings and semi-gloss eggshell white for the trim and kitchens.  The apartments weren’t very nice to begin with and after three days of work they still didn’t look very nice.  I tried to remind myself to just make it about the work.

I would spend hours gutting bathrooms- ripping out drywall, removing tiling, and replacing subflooring before redoing everything.  The best days were when I could work by myself and keep my own company.  Bathrooms were a bit more satisfying to do because they would actually look nice when you finished them.

There was one time when a new tenant couldn’t move into her apartment because a homeless person had moved in after we had flipped it.  We went in the apartment after the police took him away and found no less than eight bicycles, some smelly furniture, and a plethora of bizarre pornography.  There were also footprints all over the wall.  We had to repaint that one.

My boss was a middle-aged anomaly with claims of ties to the trash hauling unions of New York City.  I didn’t really believe anything he said.  There were four of us handling most of the work orders:

-Mark was in art school, a bit cranky, and liked to smoke a lot of pot.  Oftentimes it was hard to tell whether he was stoned or not.  I liked him.

-Scott had gotten back from several tours of Iraq, most recently Abu Ghraib.  He was a good guy but wouldn’t get anything done unless he was told exactly what to do.

-Mario was in his late thirties and from Guatemala.  He worked 7 days a week and sent most of his money home to his family.  He didn’t say much but I think he missed home.  The man could eat faster than anyone I’d ever met.  He said that in the Guatemalan Army they only gave you three minutes for lunch.

There was also a rotating cast of derelicts who would come in and work for a week and then disappear.  I never learned their names.

One of the happiest days I had was telling my jackass boss that I quit.  I gave myself a two week vacation before I went back to school.

What I learned at this job was that in order to get through many uncomfortable situations with a modicum of success you have to make it about the work.  It helps to find something bigger than yourself in what you are doing.  The skills I was learning would serve me well much later down the line, and the money would help me buy books and live through the school year and work on my education.  Everything else was just bullshit that came with the job.

To let yourself speak through the work you do, whether you are toppling Marxist empires or replacing toilets in shitty tenements- this is the lesson of the Operator.  In these situations our work speaks through us but also teaches us our lessons.

The recipient of this blade may find himself in harms way and needed a blade that would serve in such situations:

Rough cutting:


Bevels profiled:

Hardened:

Hand sanding:

img_4169_srgb

This is G10, a commercially manufactured synthetic material.  Normally I prefer to make my own handle material but in this instance I opted for something consistently fabricated that would be failsafe in a potentially tactical situation:


The Operator, MkII: O1 tool steel, G10 scales, fabric spacers, and steel hardware.

Let your work be your lessons.

Knifemaking: being your own cheerleader and the Stag

“You’ve just got to pat yourself on the back and keep moving.  Ain’t nobody else gonna do that for you.”

-Gordon Russell, chef

The other week, early in the morning, I got a knock on my door.  It was the police.  My car alarm had been going off for the past hour and the officer said there had been quite a few calls about it.

We walked over and I turned the alarm off and disconnected the battery.  As the officer was leaving he said that someone had been kind enough to leave a note for me on my windshield.  I found a piece of paper under the wiper and read it.  I’m not sure what I was expecting.  After I read through all of the expletives, I saw that it was signed by “I Hate You”.

Beautiful.  Somebody hates me.

I tried to go back to sleep but I had a hard time.  I knew I wasn’t the first person to have their car alarm go off and I probably wouldn’t be the last but I was having a hard time figuring out what “I Hate You” expected to accomplish through their eloquently worded salutation to me.  Those sorts of things written to you by a stranger don’t feel nice.

Later in the day I found it to be really funny.  I kind of wish I had kept the note.

So what do you do when you find yourself on the receiving end of toxic outrage?  Or of violent vitriols or virulent viscosities or even vicissitudes of the most vicious varieties??  This is where you have to be your own cheerleader.  Because we’re going to screw up at some point, maybe say or do something in poor taste or offend someone’s sensibilities.  People can be awful- much worse than notes on cars.  And hiding behind the veil of social media, people often write things that they wouldn’t necessarily say to someone’s face.  So when someone says or does something dumb, it can be often accompanied by a slurry of shame-dumping and rage. Before long any sense of civility or compassion goes out the window.  If you find yourself on the receiving end of these sorts of shenanigans, it’s best to pat yourself on the back and just keep rolling.  These are the hard things to master in life, but they are worth it.  It’s important to keep moving forward.

This blade was a commission for a gentleman who is a cheerleading coach.  His wife asked if the knife could have an essence of an old Buck fixed blade he had as a kid so I took that into the consideration of the design.  ‘The Stag’ is a bit of a double entendre.  In the animal world a stag can be much larger than a buck, and this knife has a bit more heft than its commercial counterpart.  But on the other side you sometimes have to go stag, by yourself, and give yourself the things that the world is not always going to give you.

The other day I was working with a lady who was late because someone parked her car into her spot.  She said she didn’t even have time to write a nasty note.  I very gently told her that not writing that note was probably for the best…

I did two designs for this knife, based on some of the Buck fixed blades.  I went with the bottom drawing:


Wet sanding:

This is after heat treat, slag all removed, at about 600 grit:

Satin:

Walnut for the handle:

The Stag:  O1 tool steel, Walnut handle scales, fiber spacers, and steel hardware:

In the words of a dear friend, just pat yourself on the back and keep moving

Much love to Kent Huffman for the beautiful leatherwork and to Taylor Huffman Bernard for the beautiful woodburning.  Finished knife photos by James Bernard and his superior camera.

Knifemaking: making your mark and the Cuchilla Pequita

“Control what you can control, maggot!  Let everything else take a flying fuck at you and if you must go down, go down with your guns blazing.”

Cort the Gunslinger, from Stephen King’s The Drawing of the Three

The Gauchos were a group of cowboys who worked on the grasslands of South America during the 18th and 19th century. They were a people without boundaries, solitary, and existing on the Pampas of Argentina, Uruguay and Southern Brazil.  The Gauchos were a pretty wild bunch and had a lifestyle that was similar to the gypsies and travelers of Europe.  Always moving from place to place, job to job, and always on the hustle.  Most were nomadic and had few possessions. 

They were a solitary people, yes, but when they did run into other gauchos there was usually high-proof alcohol involved.  Also gambling.  And prostitutes.  Those three things made for a trifecta of machismo, and that usually resulted in conflict which manifested as duels.  Guns were expensive and hard to come by so the weapons of choice were usually knives.

When Gauchos dueled the objective was not to kill (although fatalities most definitely occurred); it was to leave a mark, preferably on the face.  A gaucho with a scar on his face had lost a duel, and all the other Gauchos knew this.  He would carry this scar for the rest of his life, but looking a little deeper one can find that scars are not always a badge of shame.

There is an inherent drive to leave your mark on the world but sometimes the world leaves its mark on you.  Things aren’t always the way we think they should be and in taking a risk to make a difference we can fail spectacularly.  We all lose duels everyday and some of us carry many scars, both seen and unseen.  Some of the most powerful and profound people I know carry scars that are both large and deep, yet these people shine brightly and leave their mark on the world everyday.  They are beautiful even though life has done its damnedest to leave its mark on them.  How is this possible?

I had a teacher once tell me that no one is in control.  This is something that is a bit of a struggle for me almost daily, even though I know that in the grand scheme of things my sphere of control is very small.  It comes down to choosing how to react to the things in our lives.

So there is a choice.  You can choose to not get pissy about the holiday Starbucks cup.  You can choose to not to feel like a victim because your candidate didn’t win.  You can choose connection over isolation.  You can choose to do something about situations that don’t serve you.  You can choose to wear your scars proudly because whatever left its mark on you wasn’t strong enough to take you down.  You can choose to let the things beyond your control take a flying fuck at you and fall as they may.  Though we can’t always control the circumstances in our lives, we can choose how we respond to them.  This is where we make our mark and is also the lesson of the Cuchilla Pequita.

There are several types of knives carried by the Gauchos.  The Cuchilla Pequita is loosely based on the Cuchilla.  The Spanish word for knife is el cuchillo, a masculine noun in the vocabulary.  The Gauchos feminized cuchillo and applied it to their particular style of knives, which had a ‘pregnant’ blade belly and a slightly dropped point.  This design is based on that style and starts in 1095 spring steel:

After grinding and hardening:

Drilling rivet holes:

Texas Mesquite:

Fitting the handle:

Fiber spacers for a splash of contrast:

Clamped:

Profiled:

Sanded up to 2000 grit:

The Cuchilla Pequita:

How we choose to react in our lives affects the impact we can make.  This is the lesson of the Cuchilla Pequita

Here are some sources that were incredibly helpful:

A Short Essay About Gaucho Knives: Facón, Daga, Cuchilla and Puñal

Brittanica Online