Knifemaking: the things that get in the way and the Arrow

“The way we do anything is the way we do everything.”

-Martha Beck

……..

“I guess I’ve been carrying many small things.”

-Mina Tindle- “To Carry Many Small Things”

When I was nineteen I started lifting weights.  I didn’t have a particular destination or goal.  The only real goal that was there was to lift as well or better than I had the day before.  I paid attention to form, technique, and consistency.  I got better as time went by.

Ritual was crucial.  I would allow myself to be very quiet.  I had a taken some dance classes in college and would do these really amazing spine-lengthening stretches.  After my workout I would take a shower, sit in the sauna for twenty minutes, and then leave.  I did all of this without speaking to anyone.  It was like going to church: still, prayerful, and introspective.

I never made notes or kept logs.  I made sure my routines and circuits were simple enough to remember day to day and week to week and so on.  I kept up with this for eleven, maybe twelve years.  When I felt good, I went to the gym.  When I felt bad, I went to the gym.

Then about two or three years ago I noticed I was having trouble finding those quiet and still places.  I had trouble getting to the gym and staying present with what I was doing.  Actually I had trouble staying present in nearly all the things I was trying to do.  I wasn’t sure what to do.  I went to the doctor, got blood work done.  I talked to a therapist.  I was healthy.

My girlfriend noticed this, and put me in touch with a lady she had been studying with.  She said I was probably missing a physical practice and since the gym wasn’t in the picture anymore I should at least talk to this lady, who was in the practice of Ashtanga yoga.  I had watched her take a course of study from this woman to help her heal from a hip injury.  She was calmer, glowier, and looked fantastic with a sort of shimmer about her.  Ok, I finally said, I’ll give her a shout.

I made an appointment with this lady and we talked about what it was to practice yoga.  Her name is Leigh.  She told me that in this practice, if practiced diligently, transformation would occur.  She said that I would notice unpleasant things rise to the surface.  Things would fall away, she said, and those would mostly be the things that got in the way: bad habits, patterns of self-sabotage, and bad attitudes- the fun things. Afterwards I told my girlfriend that if I turned into some sort of New Age asshole who extolled the virtues of kale and hashtagged ‘namaste’, I would prefer she shoot me, bury me in the backyard, and tell everyone I left her.

(Quite a few months later I would find myself in front of a salad bar at a hillbilly barbecue buffet in North Carolina, and I would notice that my first thought was ‘where the fuck is the baby kale?’  My second thought had something to do with being shocked that my first thought was about kale…).

I started meeting with Leigh about every month or so and she was right.  Things DID fall away.  I found myself becoming very protective of my sleep and rest.  I started eating better and found myself desiring fruits and vegetables, which is something completely new.   I stopped going out and I didn’t miss it at all.  I leaned into life a little more.

Then I noticed all the small things I had been carrying.  In Ashtanga, I found that almost everything I didn’t like about myself was held out and dangled in front of my face whenever I was on the mat and often culminated in tears.  I wasn’t aware of all the prickly bits I carry around on an almost daily basis: guilt, shame, resentment, rage, and impulsivity.  I’ve always heard from my friends about how relaxing and grounding yoga was for them.  I have not had that experience.  I sobbed uncontrollably during the first week I started.  I wasn’t nearly as patient as I thought I was, and definitely more judgmental than I ever believed.  Sometimes I find I am so present with myself that it hurts.  Unlike the gym, there is no rush of endorphins for me.  I end with everything I start with and honestly, it really sucks sometimes.

This sounds like a ringing endorsement and you’re probably asking yourself “where do I sign up?”

The truth is that this is a practice that helps you to know yourself, all of yourself, and that is usually going to be painful.  The growth and transformation happens when you find the pain isn’t going to kill you (although sometimes you wish it would).  The idea is not to make the uncomfortable things go away- they aren’t going to.  It’s to create a space to be with them and to go about your life in spite of being uncomfortable.

This blade was a commission for Leigh, from her husband.  Both of them are incredibly loving and kind and supportive people.  Leigh herself is an arrow, piercing those things that get in the way and always doing so with love and encouragement.  She has become a very dear friend and making this knife was a pleasure.

I designed this knife for whittling.  She is built for a smaller hand:

Rough cut, from O1 tool steel stock:

Smoothed out:

Centerline scribed:

Rough grinding:

Hardening:

Tempered:

Laying down a hand finish:

Just a bit more:

Spalted Tamarind:

Bookmatched:

Ready for glue:

Glued and clamped:


Shaped to fit the hand:

The Arrow:

This knife comes with a prayer, the Prayer of the Arrow, to help with all the things that get in the way:

May I be kind to myself
May I be gentle toward myself and others,
And may I move through my world with elegance and grace
May I find a calm mind and go about my day with peace and serenity and
May focus manifest within that calm
Help me to let go of guilt and shame, and help me to be with my anxieties, and to
Lean into my fears and not
be intimidated by them or anything else
May I know that I have enough
Help me to see things for what they are, and to
let go of appearances and of what others may think
Help me to know strong boundaries and to act on them
Help me to not think so much or give so much weight to my emotions and desires
Help me to keep moving forward and to have faith in myself and those I care for
Please keep me safe
And let me know that I am loved

Knifemaking: being your own cheerleader and the Stag

“You’ve just got to pat yourself on the back and keep moving.  Ain’t nobody else gonna do that for you.”

-Gordon Russell, chef

The other week, early in the morning, I got a knock on my door.  It was the police.  My car alarm had been going off for the past hour and the officer said there had been quite a few calls about it.

We walked over and I turned the alarm off and disconnected the battery.  As the officer was leaving he said that someone had been kind enough to leave a note for me on my windshield.  I found a piece of paper under the wiper and read it.  I’m not sure what I was expecting.  After I read through all of the expletives, I saw that it was signed by “I Hate You”.

Beautiful.  Somebody hates me.

I tried to go back to sleep but I had a hard time.  I knew I wasn’t the first person to have their car alarm go off and I probably wouldn’t be the last but I was having a hard time figuring out what “I Hate You” expected to accomplish through their eloquently worded salutation to me.  Those sorts of things written to you by a stranger don’t feel nice.

Later in the day I found it to be really funny.  I kind of wish I had kept the note.

So what do you do when you find yourself on the receiving end of toxic outrage?  Or of violent vitriols or virulent viscosities or even vicissitudes of the most vicious varieties??  This is where you have to be your own cheerleader.  Because we’re going to screw up at some point, maybe say or do something in poor taste or offend someone’s sensibilities.  People can be awful- much worse than notes on cars.  And hiding behind the veil of social media, people often write things that they wouldn’t necessarily say to someone’s face.  So when someone says or does something dumb, it can be often accompanied by a slurry of shame-dumping and rage. Before long any sense of civility or compassion goes out the window.  If you find yourself on the receiving end of these sorts of shenanigans, it’s best to pat yourself on the back and just keep rolling.  These are the hard things to master in life, but they are worth it.  It’s important to keep moving forward.

This blade was a commission for a gentleman who is a cheerleading coach.  His wife asked if the knife could have an essence of an old Buck fixed blade he had as a kid so I took that into the consideration of the design.  ‘The Stag’ is a bit of a double entendre.  In the animal world a stag can be much larger than a buck, and this knife has a bit more heft than its commercial counterpart.  But on the other side you sometimes have to go stag, by yourself, and give yourself the things that the world is not always going to give you.

The other day I was working with a lady who was late because someone parked her car into her spot.  She said she didn’t even have time to write a nasty note.  I very gently told her that not writing that note was probably for the best…

I did two designs for this knife, based on some of the Buck fixed blades.  I went with the bottom drawing:


Wet sanding:

This is after heat treat, slag all removed, at about 600 grit:

Satin:

Walnut for the handle:

The Stag:  O1 tool steel, Walnut handle scales, fiber spacers, and steel hardware:

In the words of a dear friend, just pat yourself on the back and keep moving

Much love to Kent Huffman for the beautiful leatherwork and to Taylor Huffman Bernard for the beautiful woodburning.  Finished knife photos by James Bernard and his superior camera.

Knifemaking: learning your craft and the Maestro

“This is Mr. Beethoven.  Do you hear that?  You don’t?  This doesn’t move you?  Well that’s ok baby, you can always go sell shoes.”

-Doug Richards

This knife was a commission for one of my former teachers and good friends, Doug Richards.  I first met Doug when I was fifteen.  I had been accepted to a summer residential arts program and went to study music and trombone.  I was there with about 50 other musicians and vocalists from across the state.  One of the classes I took was run by a jazz saxophonist, who also played every wind instrument known to man.  To help us learn about jazz he brought in a very passionate man to speak to us about Duke Ellington, one of the great American composers.  This man was Doug.

This particular class was at 8am and we had all been up late doing God knows what, as teenagers away from home living on a college campus are wont to do.  Doug noted this and suggested that if we were tired and didn’t have time for the Duke then we could leave and take a nap.

This took us all aback.  We all paid attention as Doug put on an Ellington video and proceeded to dance around the room, deigning us with the story of the music and the man…and every member of the band.  The man has an encyclopedic knowledge of music and the lore around it.

I ended up coming to university to study with him.  He taught a two year course of study on how to write big band music.  That was the course description anyway but it was so much more than that.  In this class I learned how to listen, really listen, to music.  I learned how to discern the masters from the dilettantes.  I learned what moved me and the mechanisms of the sounds that held me in those places.  Amidst all of this I learned how to compose and arrange music that sounded like me, and no one else.

What I learned most from Doug was the importance of craft.  Craft encapsulates art.  Without it, your art isn’t as articulate as it could be and your vocabulary to put what you want to say out into the world is stunted.  I started to see this all over in my world- in the people I would work with, in the music I listened to, in the food I ate, and the films I would watch.  I paid attention to the manner in which things were put together.  I spent hours working on assignments from Doug, exercises in craft, to the point where I would seriously question my life decisions.  Often times I felt that these exercises didn’t leave room for any emotion.  Over and over I heard “Do not emote” when we approached these exercises, but then I would hear something that Doug had written and it dripped with emotion.  Was this some cruel joke?

It was not.  In time we were told to write things.  I would think of what I wanted to say, write it down, and the craft I applied would make it blossom.  Almost without even thinking about it.  You just know what to do.  The way that a warrior knows to make the kill, or a seventh grade guitar player knows to hit the distortion button.  And so I started devouring the craft.  I studied classical orchestration with Doug, orchestrating Ravel piano scores for wind ensembles.  I played in a Stravinsky ensemble he ran and we worked through pieces the likes of which I’d never heard. 

As an adult I remember all the lessons from this man.  I always try to remember craft, and to practice it.  Like a good meal, or good music, or good love, craft is not something that is easily bullshitted.  In a world where quality is often compromised for time and quantity, craft stands out.  This is the lesson of the Maestro.       

The stories of this man are legendary.  Here are a few:

-Most of us had heard of Doug doing one-handed pushups before rehearsals back in the day.  Somebody mentioned it to him one day before a rehearsal and he dropped down and did 17.  None of us could do any…

-When we were rushing the tempo on a piece of music in rehearsal, Doug told us to slow down or we would get a reputation with the ladies.

-There was a limited edition of a recording re-released and Doug told me that I needed to have it.  When I told him I didn’t have the money he suggested I get a paper route…

– Before one performance, Doug made an announcement: “Ladies and Gentleman, please take your cell phones, pagers, and all of your other electronic jive out into the lobby, throw them onto the ground and step on them because I don’t want to hear any of them during this performance.  Thank you.”

 

Doug asked for a chef’s knife, for the kitchen.  I started with a piece of thin stock O1 tool steel:

Hardened:

Grinding:

More grinding:

That’s about right…off the grinder at 40 grit:

Hand sanding station:

handwork starts at 80 grit:

120 grit:

220 grit:

Hours later at 320 grit….

This is a score of Doug’s, meticulously handwritten and every note exactly where it should be, articulated just so…

…so of course I cut it up…

Ready to be made into a handle:

Soaked in fiberglass resin:

I think I can work with this…

Be sure to learn your craft.

Also be sure to check out Doug’s record– it’s really fantastic.

Knifemaking: how to behave in the world, and the Dummy

“You big dummy!”

-Fred Sanford

It was New Year’s Eve a couple of years ago and it had been a pretty crappy year.  I was with very good friends, half drunk, and a bit reflective.  There are times in life when challenges present themselves, as they always will.  You can deal with them with grace, dignity, and elegance and use them as an opportunity to move forward….or you can let each one smack you in the head until you find yourself sitting in a pile on the ground feeling sorry for yourself.  My year could be summarized by the latter.  So in my half drunken state I came up with the last New Year’s resolution I would ever make.  I wrote it down:


Don’t be a dumbass. The next day in a brand new year I thought about this.  I proposed that whatever future situation I found myself in and there was a decision to make I would ask myself, “What would a dumbass do?”.  When I had determined what course of action a dumbass would follow, I would simply not follow that course.  

The beauty of the whole thing is the simplicity of it.  Much like kindness, it functions on a continuum.  It will meet you where you are and, if you are diligent in your practice of not being a dumbass, it will expand into your entire universe.  Before long, what started as a way to make your immediate life better turns into a lifestyle.  You set an intention to be present in your life and your relationships.  You are navigating opportunities.  You are not perfect but anyone who is not a dumbass knows that no one is.  It is quite challenging but the payoff is that you, my dear friend, are not being a dumbass.

But alas, no system is perfect.  Sometimes, despite your best efforts, you find yourself ambling down an avenue of unbridled, unbuttoned, and completely unadulterated dumbassery.

I found myself on that avenue the other week.  It was one of the most embarrassing and humbling days of my professional life.

I had a contracted production runner job working for a big televised arena show.  My job was to run around town and procure necessary items for the show.  I’m generally very good this job.  They give you a list of things they need done to make the show happen, you figure out the best way to accomplish those things, and everyone works together to make a production happen.  Many times you are part of a well-oiled machine that makes incredible things happen and it is very satisfying.

This particular show, being a massive televised touring production with many things that can potentially go wrong, required a copy of our drivers’s license for insurance purposes.  Most production runner gigs don’t do this.  No worries though and I handed over my license.

It had expired.  Then I remembered the notice I had gotten from the DMV a couple of months ago and how I said I’d get around to it and how I actually hadn’t.  This wasn’t exactly the way I wanted to be reminded.  It was hugely embarrassing and I wanted to run away and hide. 

I did not run away and hide, because that’s what a dumbass does.  The people on the production team for this organization are incredibly kind and though I couldn’t do my normal job and was working my way out of a shame funk, they let me work in catering.  I hadn’t done anything in food service since I was 19.

They sent me to the kitchen and I met with the head catering lady who just laughed at me, handed me an apron, and sent me to help unload a cargo van slam full of food to be prepared that day.  The cargo van was in the loading dock and the loading dock was a zoo.  In addition to the van there were four tractor trailers being unloaded by about forty stagehands.  There were four forklifts unstacking road cases and half a dozen men with radios directing all of this.  I joined four or five other guys at the van and start loading up carts with everything from fresh salmon to the biggest can of marinara sauce I had ever seen. 

I get one of the loaded carts to take to the kitchen and it is slam full.  I am trying to navigate the insanity of the loading dock and I hit a bump.  There is a gallon-sized tub of dijon mustard sitting on top of the cart that I watch, in slow motion, fly off the top of the cart, hit the ground, break open, and splay all over the crew chief directing the insanity.  He was not happy….

So food gets back to the kitchen and unloaded.  I would spend the next four hours peeling potatoes, cutting endives, and shredding raddichio.  It was surprisingly calm in there.  I made sandwiches for lunches, ran dirty dishes to the wash area, and cut up more vegetables.  Every time I ran into the head catering lady she would say ‘here comes trouble…’.

They were all very sweet and kind.  They sent me home with a hotel tray full of baked ziti which fed me for two weeks:

This is the lesson of the Dummy.  Sometimes you have to stay with your dumbassery and it will pass.  Everyone is a dumbass sometimes.  Thank you Universe for teaching me humility….

I started with 1095 spring steel.  Here it is cut, with bevels started:

Hardened:

Wet sanding:

….for a satin finish

In gratitude for the many meals I was gifted, I wanted to work ziti into the handle:

Hulk smash:

Fiberglass resin:

Dinner is served:

The dijon mustard, a low point of my dummy day:

I used this to force a patina on the blade:

The Dummy:

With all the love in my heart, don’t be a dumbass.

Knifemaking: past things made present and a restoration project

An acquaintance brought me three knives to be restored: three beautiful old kitchen knives, a trifecta of culinary efficiency.  There is a massive cleaver, a 10″ German style chef’s knife, and a 6″ French style utility knife:

They have been through the paces.

Everything breaks down at some point.  As someone who will push himself to the point of exhaustion I find this to be a strangely comforting and, paradoxically, terrifying idea.  There are times in life when the only way to get to the beauty that once was is to go through the worn out parts.

Wait…how did these things get worn out in the first place?

I’ve found that there are seasons of life when it feels as if the universe is screaming at you to make something happen, to make changes, to do better, and to seize opportunity.  And suddenly inside yourself you can see a path to these things.  You begin to feel a sense of urgency so strong that it feels like the whips are being cracked.

And so whatever your task at hand is becomes an insatiable vixen.  At least this is what it can feel like.

In these moments we often neglect to take care of ourselves and then wonder why things aren’t working as they should.  But still we keep pushing.  And in our zeal to accomplish we can end up depleted- physically, emotionally, and spiritually, appear as shells of the amazing things that we are.

Sort of like these knives…

Restorative processes are not always pretty.  Sometimes they hurt a little or a even a lot.  They can be alienating to the people we care most about.  And they come with the moments of hesitation and questioning and reluctance.  These things are still functioning so why mess with them?  Is it worth the time and work?  Maybe it’s ok the way it is.  Maybe if I pretend that there isn’t an issue it will all be fine.  These are healthy things to ask.  But are they working at their best?  Are they past their prime?  Are they getting any better?  Absolutely not. And in this life, leaving something better than you found it is one of the sweeter things we can experience.

So you strip away the layers of rust that came from daily exposure to the elements.  The wood that has become cracked from moisture exposure after years of washings has to come off.  New wood is put on and sanded and finished with the deepest of love.  The dull edges are honed sharp again.  Everything thing is oiled and brought back to life.  When you start these processes, and they are processes which can take awhile, it requires a commitment and a degree of tenacity to stick to it.

These knives were out of commission for a bit but it was necessary in order for them to function at their best.  Similar things happen in us when we take the time to look after ourselves.  It’s always a process and there isn’t necessarily a discernable timetable.  In this particular instance the restoration took me several days.

I started by removing two of the handles:

I soaked the small French knife in vinegar for about two days.  The vinegar eats away rust and corrosion but doesn’t harm the integrity of the blade.  It does create a reaction with the steel that leaves this residue on the blade.

She gets a sanding with high grit paper to make sure all the corrosion is gone.

Ready for a handle:

Glued and clamped:

Ready for shaping:

Shaped:

On the initial sanding I stopped at 220 grit and applied a liberal coat of oil and let it dry overnight.  Doing this makes for a more pronounced, nuanced, and beautiful grain pattern.

Working through the grits, up to 2000.  I think this is 600:

Our friend the cleaver:

A vinegar bath for a couple of days:

The spine was pretty roughed up:

So I smoothed and deburred it:

Quarter sawn white oak:

The customer asked to keep the original handle for the 10″ chef’s knife.  Here it is at about 120 grit:

Here it is at 2000 grit.  I believe it is Mahogany:

Oiled, of the Tung variety:

Sharpening:

Stropping:

Past things made present.  All restoration does is enhance the beauty within.  These are ready for the kitchen:

Knifemaking: finding your roots and the Treethrower

‘In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree.’

Hermann Hesse, Bäume. Betrachtungen und Gedichte

I have an old friend and his name is Joe.  Joe is a fascinating guy.  We went to music school together.  Joe is a killer rock musician, a badass chef, and is also really good at climbing trees.

This is Joe:

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Joe does tree work full time at the moment.  On weekends and his off days he does side work for friends.  Sometimes he calls me to give him a hand.  Sometimes the money is good and sometimes it is not but it’s refreshing work to do and it’s nice to be along for the ride.  His clients are always happy with his work.

The work I did with Joe consisted of removing dead or sick branches and limbs, and removing branches or limbs in order to open up a client’s yard to sun.  Any part of the tree extruding over a client’s house was also removed, by way of a block and tackle pulley system rigged to the tree so the branch could be slowly and safely lowered to the ground.  All of this was done with regard for the tree, with chainsaw cuts executed in such a fashion so that limbs could healthily grow back.  Deadwood was removed and cut flush at the trunk.

There was a quiet and zen process to a lot of this.  It all started with laying all of our tools out.  Joe would put on his rigging gear and I would fuel up and oil the chainsaws.  He would then set a climb line high in the tree and start to ascend, lugging a chainsaw, some handsaws and some tools.  The zen in this work comes from ritual.  All ropes and lines are kept coiled and tidy.  All brush is cut, cleared and neatly piled as soon as it comes down from the tree.  If you are using a chainsaw then you are wearing kevlar chaps and the chainsaw stops as soon as you are through cutting and before you move to the next cut.  If you are using the chainsaw in a tree then you have set at least three independent safety points, in case you accidentally cut your support line.  These little rituals and protocols help to remove some of the thinking from the process.  It creates a sort of space to be present with yourself and really feel what you are doing.  In this space you can start to feel a grounding and calm in the process.  It also allows you to really focus on what you are doing and helps to keep you safe.  All these things gently coerce you into slowing down and this is a good thing.  Tree work is pretty dangerous after all.

This space that has been created allows more mental real estate for when things get a bit hairy.  There was a the time when a line came loose and giant log cut from a tree fell and put a giant hole in the client’s deck.  Or the ‘how the fuck are we going to get all of this done?’ moments.  Or it’s rainy or icy and you feel extra unsafe.

It’s really refreshing to feel this because it’s a microcosm of life I forget to feel at times.  In this season of life, for myself and many of those close to me, sometimes you forget to ground yourself and everything feels uncertain.  Life changes quickly, living gets more expensive, and what worked yesterday doesn’t necessarily work today.  Focus wanes, a feeling of security becomes a commodity, and one can find themselves feeling a bit daft and inadequate.  This can be remedied by practices and rituals.  Keeping your ropes and lines tidy, in a spiritual and emotional sense.  This can be a bit of a process, especially if you come from a place where roots were shallow and conditional on things outside of yourself.

This is the lesson of the Treethrower.  I came to this idea while tossing massive logs we had cut down into a firewood pile.  It’s important to find roots in what you are doing.  When this doesn’t happen everything can feel daunting.  Often times these rooting things are right beneath your nose and, paradoxically, the last place we tend to look.  Finding them, even for a moment each day, can make a world of difference in your life.

It starts with a massive bar of 1/4″ 1095 spring steel.  My good friend and partner picked this up at a steel mill in North Carolina.

The angle of the blade on this design allows for much more leverage during large cutting chores.

I burned through about 8 cut off discs cutting this out:

Some half inch holes to remove weight.

Several hours later…

There is a lot of material to remove…

Full flat grind

Hand sanding before heat treatment

Into the forge:

Tempering…

This is a large piece of spalted pecan, sent to me by my wonderful cousin in Texas.

Up to 2000 grit

The Treethrower:  1095 spring steel, spalted Pecan handle scales, kydex spacers and steel hardware.

Thanks for the lessons, Joe.

Knifemaking: love, mixed martial arts, and the Lightbringer

“Love suffereth long, it is bountiful; love envieth not; love doth not boast itself, it is not puffed up

It doth no uncomely thing, it seeketh not her own things, it is not provoked to anger, it thinketh no evil

It rejoiceth not in iniquity, but rejoiceth in the truth;

It suffereth all things, it believeth all things, it hopeth all things, it endureth all things.

Love doeth never fall away, though that prophesyings be abolished, or the tongues cease, or  knowledge vanish away.”

I Corinthians 13, The Geneva Bible

On the other side of fear there is love.  We often here about labors of love, tough love, and doing what we have to do out of love.  These are the things that are easy to talk about but much harder to describe what they actually feel like when one finds themselves in the midst of them.  These are the things that are hard to deliver if your heart is not truly in them.  Like a good meal, love is not something that can be bullshitted, and certainly not for an extended period of time.

Love is connection.  It’s what holds things together through good and bad.  It helps us to feel our light when it feels like the universe is doing it’s best to crush us.  Most of us probably have parts of our lives that we look back on and wonder ‘how did I get through that?’  It’s love.

We all know romantic love with its intoxicating and consuming nature.  It puts the color in our world.  But beyond the rainbows and butterflies it takes a warrior to love someone deeply, to do the hard things, to fight for what is dearest to them.  This is what makes the world shine.

Then there are the times in life when the light of love can go dim and your world goes dark.  I found myself in one of those places a couple years ago.  It was bad.  I talked to a therapist who told me I was absorbing chaos.  Those close to me said it felt like there was a hole in my heart.  I got ultra New Age-y and talked to several light healers who told me my energies were out of alignment with love and that my heart chakra was blocked.

Though it was helpful to hear these things, it shed no light on what I was supposed to do to fix them or how difficult it would be.

It all came to head sometime after Christmas.  I had lost quite a bit of weight.  My friends said that I looked great but I felt awful.  I was getting up and going to work and going through the motions but it felt like moving mountains.  I had to get the office lady to remind me to eat.

There was a gentleman who had been coming in to pick up our scrap metal at our work for quite awhile.  He was a big Puerto Rican gentleman who used to be an MMA fighter.  His name was Jose and he is one of the happiest and most grateful people I’ve ever met.  He used to get into a lot of fights when he was a kid and then he made it into a career.  He said he stopped because he was tired of beating people up.  He had dated a lady who was a Brazilian fighter.  He always told me never to date an MMA fighter.  I told him not to worry.

So it was around this time that I was having all these problems and he came in and just looked at me.

‘Brother what happened?’

I asked what he meant.

‘You used to be BIG and HAPPY, but now you little and sad.  What happened, brother?’

We talked for a bit.  Jose is a really good man.  He told me to not stop loving, no matter what, that love always comes through.  He told me to look up the Bible verse (copied at the top of this post), which I reluctantly did.  I knew it from having it drilled into my head as a kid in Sunday school and I always thought it was cheesy.  I had heard it so many times under such superficial bumper sticker circumstances that I almost forgot how really elegantly composed it is.

So I made it a point to start doing things out of love, in a way that I had never really done before.  I started showing up for myself.  It was really hard and it wasn’t pretty.  In fact it was about as far from rainbows and butterflies as one could possibly get and still be in the realm of love.  Sometimes it’s still hard and not the prettiest to look at but I had made a promise to myself that I wouldn’t let it ever get that dim again.

This is the lesson of the Lightbringer.  It was through that process that I learned that love is something you have to stay on top of and nurture even when, no, especially when it’s hard.   It is living and breathing and a sort of life force that keeps the world beautiful.  Even when the world makes it difficult to love, it doesn’t mean you should stop.  Without it, everything can lose it’s meaning and your world can go dark.

 O1 tool steel, in the process of roughing out the blank

Off the grinder at 80 grit

She is ready for heat treat

Hardened and tempered and sanded to 120 grit at a 45 degree angle

220 grit, cutting in at the opposite 45 degrees…

32o grit straight down the blade for a nice satin finish.  These lines are one of the signatures of a hand finished knife blade.  On the subject of labors of love, hand sanding hardened steel is no joke…

Curly Maple attached to the blade

Toward the end of the shaping, sanding, and bursting process…

The Lightbringer:  O1 tool steel, bursted Curly Maple, Kydex spacers, and brass hardware


I ran into Jose at a gas station the other week.  He told me I looked big again.  I just gave him a hug.

Knifemaking: being in the know, Hobart mixers, and the Gunny

“If, then, I were asked for the most important advice I could give, that which I considered to be the most useful to the men of our century, I should simply say: in the name of God, stop a moment, cease your work, look around you.”
Leo Tolstoy 

 

A few months ago I did a job for my friends who run an auction company.  There was an auction happening at a school out in the country and they needed someone to go out and bid on two gigantic dough mixers.  They weigh a little more than half a ton and are very expensive.

They  look like this:

18115

The only issue was that they didn’t know what voltage they were.  Sometimes these machines have a 460 voltage requirement.  These higher voltages exist to reduce wiring requirements and the need for additional electrical equipment facilities with large power requirements.  The facilities that have these requirements are usually nuclear submarines or large government or corporate campuses.  Most houses only go as high as 220 volts, and that’s only for the washer and dryer hook up.  Unless you are operating a nuclear submarine, anything running on 460 volt power is generally going to be used as a boat anchor or scrapped.

My job was to go out and look at the specs and see what voltage they were.  Anything under 460 voltage would be good to bid on and able to be resold for a profit.

I drove out to the school on an early November morning.  Everything was spread out in front of a storage shed across the street from the school, separated by a two lane highway.  What I saw when I got there was a cornucopia of ancient office equipment, school lockers, floor buffers, and cafeteria equipment from an era gone by.  A lot of the town folk came out to see the festivities and they looked as one would expect the residents of a peanut farming community to look.  I went and looked in the shed and there was even more junk- desks, old computer printers, and large pieces of cafeteria equipment designed to feed the hungry masses.  It was here I found my mixers, alone with no attention from the farming community (they were busy picking over everything outside).  Nobody knew there was a potentially profitable business endeavor here.  Nobody else was in the know.

I went over and found the spec label.  Under power requirements it said 460V.  Son of a bitch.

There were two other gentleman eyeing the mixers as well.  They did not look like members of the peanut farming community.  They arrived in a box truck and a dually pick-up with a trailer attached.  This was the competition and they meant business.  These gentleman were definitely in the know with these mixers.

We said formal hellos.  They asked what the voltage was and I told them, expecting them to pack up and leave.

I called Fred the service tech.  He told me that some of these particular models of mixer were dual voltage and I would need to remove the top cover and look at the motor.  I waited till nobody else was around, and had a peak at the motor.  They were indeed dual voltage- 220v/460V.  So they were worth money.  They were as good as mine.

The other gentlemen did not leave.  We stood off to the side waiting for the auctioneer to make his way to the shed.

When it came time to bid these gentlemen matched every bid I made.  It was just me and them.  We got up to 2000 dollars and the bidding slowed down a bit.  The farming community were both entertained and dumbfounded.  Everything else sold for next to nothing but here were these people who did not belong, wagering thousands of dollars on two hunks of metal.

As per my instructions, I stopped at 3,000 dollars.  The gentleman backed their box truck up and loaded up these two pieces of equipment.  They had been in the know the whole time and they came to win.

With a bit of awareness you can start to see that there is more going on in the world than you ever imagined.  This sort of awareness usually helps me to be a better citizen of the universe.

There is the gentleman you may work with who tries to be everything to everyone.  It is profoundly annoying.  Spend 18 hours with him on a business trip and you find his brother died of a heroin overdose.  All he is doing is trying to keep everyone safe in the only way he knows how.  Being in the know of this helps you to cultivate a bit of compassion toward this man.

Or there is the person who is raising hell in Starbucks.  You know for a fact that that person did not wake up with the sole intention of making an entire coffee shop miserable- possibly because you may have done the same thing at one point or another.  There is probably something else going on that is causing this person to act this way.  Being in the know helps create space for empathy for this person.

There are thousands of situations like the auction or the other two incidents.  Having a bit of knowledge of things can help to create a richer existence or at least help you to know what you are missing out on at a country auction.  Sometimes all this takes is slowing down and having a look around.

This is the lesson of the Gunny.  It gets its name from the Gunnery Sergeant, and NCO in the Marine Corps whose job is to be in the know.  Sometimes just being aware is enough to make a difference.

I started working on this knife as part of a demonstration at a show, and it was at this stage when I got back to the shop.  He is made from O1 tool steel.

After hardening…

After hours of hand sanding…

Three shirts that no longer fit- in black, brown, and green

Cut into strips…

….and then pieces

Fiberglass resin…

….for a stinky salad

Put into a bag and clamped:

It comes out looking like this:

 

The Gunny: O1 tool steel, homebrewed camo micarta, kydex spacers, and steel hardware.


In finding a bit of awareness there can be a deeper connection to the world around us.  This is the lesson of the Gunny.

Knifemaking: when things break down and the Skin Yer Dinner

“The place to improve the world is first in one’s own heart and head and hands and then work outward from there”

Robert M. Persig- Zen and the Art of Motorcycle Maintenance

One of the major lessons of life is that things are going to break down.  It doesn’t matter how well the schedule of maintenance is managed, no matter how well oiled and lubricated all the moving parts are, or how diligently things are inspected.

At some point or another things just aren’t going to work the way that they are supposed to and sometimes it takes more than just ourselves to get them repaired.

As I’ve gotten older I’m a little more mindful of this.  Sort of.  It’s been a bit of a process actually.  I do my best to not let my things go to shit.  Some of those things are easier for me to do than others but it’s definitely better than it has been in the past.  Part of this tendency to let things go to shit comes from living in a consumer society.  Things aren’t necessarily built to be repaired.  They are meant to be consumed and thrown away.   If it breaks, buy something newer and shinier and better.  Fixing things takes time and often it is very appealing to go and buy a new one rather than repair what you have as best you are able.  This notion goes for more than just our material possessions.

Sometimes I find myself having to repair things that I have let completely go to shit.  Sometimes it’s in my professional life, sometimes it’s in my relationships, sometimes it’s my truck.  It’s important to not beat yourself up (or anybody else) when something goes to shit, which it inevitably will.

My truck.  I like to drive mid to late ’90s Japanese midsize SUVs because they perform really well, are built on truck chassis, and are relatively easy to fix and find parts for.  Sometimes it’s a little stressful because I don’t always know what I am doing and turns into an exercise in not over-thinking.  It’s also an exercise in observing how you operate when things aren’t working as they should.  I did a brake job the other month.  I’ve never done my own brakes before but the idea of saving a couple hundred dollars sounded good.  The passenger side wheel took me two and a half hours- during which time I removed the entire brake caliper by mistake, and accidentally drained all of the brake fluid.  The driver side wheel took me 45 minutes.  After several attempts to bleed my brake lines of the air inside on my own, I had to take my truck to my mechanic who talks to me like I am ten years old (‘Son, why the hell did you disconnect the brake line?’).

In taking on these sorts of projects, I go through the entire spectrum of human emotion and always become more intimate with myself.  It’s important to trust yourself, and to let go of the fear that you will screw something up more than it already is.  To take that intention of helping something to do what it does and to manifest that into whatever you are working on.

The intimacy thing- it goes for more than knowing just yourself.  Sometimes I have help on these projects.  Sometimes I help those close to me on their things.  It’s good to have someone who can pick up on something you may have missed, who can help you laugh, and help ease your anxieties.  In these situations a lot of the masks come off and you can really get to know someone without pretense or pontification because there is a common goal.  It’s reassuring knowing that when something goes wrong you can help yourself, or help somebody else, or be helped.  The deeper lesson is that things will always break down, ourselves included, but they don’t have to stay that way.

This blade was a commission for a fourteen year-old boy, the son of a really wonderful friend of mine who is an HVAC technician, someone who in his professional life brings the broken and neglected into good working order.  The other week my girlfriend and I were working on her HVAC system which had gone out.  We put a new fan motor in and were a bit hesitant on the wiring.  I called my friend, who came over and wired up the motor and rewired the thermostat on pretty short notice.  His son was with him and asked me for a knife… and also asked that it be called the Skin Yer Dinner…

I started with a piece of 1095 spring steel…

Hardened

A bit of Texas River Ash…

The Skin Yer Dinner:  Etched 1095 spring steel, Texas River ash handle, Kydex spacers, and brass hardware.  I also threw in a custom Kydex sheath…

 

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Things break down and it’s a part of life…but so is figuring out how to get them working again.