Knifemaking: magic, noticing, and the Conjurer

The world is full of magic things, patiently waiting for our senses to grow sharper.”

― W.B. Yeats

With most things in the world, there are many behind-the-scenes forces that help things to happen.  Take a blossoming flower.  Beautiful, fragrant, and simple.  But behind all of that is a team of unseen helpers going about their existences- honeybee’s to pollinate, an ecosystem of soil for roots to take hold, and a concoction of nutrients within that for nourishment.  There is rain, meteorological patterns to govern the rain, and atmospheric conditions to govern those.  The beautiful blossoming flower couldn’t do what it does without these things, but that doesn’t make it any less magical, or detract from it’s wonder.

Life is a microcosm of this.  For everything in our lives, magical or otherwise, there is a team going about busy existences to make those things happen.  It’s important to notice these things.

A few years ago I started getting calls to work big shows.  Rock concerts, comedians, people of Youtube fame: acts big enough to fill coliseums and large concert halls.  My job title in these instances is Production Runner, a gofer, someone who knows where to find things and can make problems go away.  I’m the guy who gets someone coffee, or picks up prescription strength fungicide for professional wrestlers, or buys lumber for stage carpenters.  I’ve worked for a huge number of these acts.  Sarah Bareilles is very sweet, Taylor Swift’s bodyguards are terrifying, and Bill Cosby told me I was a connoisseur of elongated bullshit.

These performers are like the flower.  Most of them are who they are because they do something special that resonates with people, something fragrant and colorful and moving- magical even.  But like the flower there is also an army of forces working very hard so that these performers can do what they do.  There are truck and bus drivers, lighting designers, electricians, sound technicians, board operators, music directors and musicians and a slew of pencil-pushers and smooth-talkers to bring the flowers to the masses.  There is even magic in what all of these forces are.

One of the first shows I worked was on the set of a two day DVD filming at a local concert hall.  It was for a well known ventriloquist and was to be shown on a national TV network.  It was exciting.  After it was all over there was a director who needed a ride to DC to visit his brother before he flew back to Los Angeles.  Being ever the cash opportunist I offered to assist.

In the I-95 traffic we had deep conversations of politics, sex, and music.  He was telling me about a production he was watching from backstage in LA.  It was a Stevie Wonder performance being filmed live for television and there was a performance of “My Cherie Amor.  He had heard this song hundreds of times before but this performance of “My Cherie Amor” moved him to tears.  He couldn’t explain it.  Why was that one time so moving and special?

I told him that it was probably because he hadn’t really stopped to listen before, or maybe not in a very long time.  There wasn’t anything else to do at that moment and he was able to hear a legend do what made him famous, to hear this beautiful man conjure deep things through his very simple gift.

This is the lesson of the Conjurer.  To see the magic in the simple things.  To conjure your own magic through the simple things you do in your life, because that is where the magic really lives.  The flipside is to notice that the magic is there.  It’s what puts the color in this world.

She is made from a bar of 1095 spring steel
Rough grinding  

Ready for hardening

Hardened and scaly

  Tempered

Brass for the liners 
  
The Conjurer: 1095 spring steel, Mora handles, and brass liners and hardware  

 

When the director gentleman and I got to DC he gave me his card.  I went home and googled him.  This man was responsible for many magical musical productions and television shows and his name was shown prominently on each of them. Turns out he is quite the celebrity in that world and for good reason.  If I hadn’t taken the time to notice I could have missed a special experience and the simple but beautiful conjuring that this man did.  He helped me to see my own conjuring and magic.  This is the deeper lesson of the Conjurer.

Knifemaking: presence, vulnerability, and the Forester

“Take the time to know
How alone you are in this world
Just to find
Death is on your mind
As you stand still, you realize where you are
In her world
Aged and bright
My moon after the tide”

Craft Spells- Komorebi

(you can read about the initial inspiration for the Forester here)

I love the forest.  I’m fortunate to live in a larger city that is in close proximity to the woods.  I have good friends who live on farms in rural wooded areas.  I occasionally house-sit for one of my good friends who lives out in the sticks and I will tell you that as a city person there isn’t anything much better than being able to wake up to a place like this:

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I think what makes the forest such a special place these days is that it gently brings you into the moment.  Not all at once, and not all of the time.  Sometimes I go into the woods and all I can think about is how I am going to get my health insurance paid or why I didn’t wash my dishes before I came.  Both of these are valid concerns and also a prime example of not being with yourself, or being present- how am I supposed to experience the here and now when I am consumed with shit that will be dealt with later?  It’s a thing: once you start noticing that you aren’t being present with yourself you can start to work on it.

When the presence does happen it’s quite wonderful.  It’s as if you can see what you are doing and where you are going without any judgement.  I try to capture those moments.  There’s a vulnerability in the forest because you are so open.  Everything is.  And it’s empowering and humbling.  There is no posturing and no bravado.  You can feel your place in things and it feels so safe.  At least for me.  These are the places where you can really feel your being: There’s a word in Japanese called komorebi.  Literally translated it means “sunshine filtering through the trees”.  This page explains komorebi a bit better than my understanding of the depth of it permits me.  What I do know is that it conveys a sense of wonder at something that would be there whether we are present to observe it or not.  It just is.  I dig that.

The seasons of the woods: summer…
IMG_1849 And autumn when the leaves fall:IMG_1591And winter:IMG_1615And spring: IMG_1788

This is where the Forester comes in.  Something that that looks like it just stepped out of the woods, without pretension or affectation.  Something to help you be present with yourself and to find the power and connectedness in being vulnerable.


I found a green cutting board that I thought would be interesting to work with.  I liked the idea of being able to take something green with me when I couldn’t get to the woods.

…and I hated it.  I though it was ugly and it wouldn’t sand up or polish the way I wanted it to.  So I cut it off and put an oak handle on instead.

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She is made with O1 tool steel, white Oak handle scales, and brass hardware.  She was bought by one of my good friend’s father, who is a bit of a Forester himself.

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May wherever you are be where you are supposed to be.  This is the lesson of the Forester.